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Advocacy Group Claims to Have Scraped Countless of Music Tracks from Spotify

A digital rights group has stated to have scraped a vast number of tracks from Spotify and is getting ready to release them online.

Potential Boost for Artificial Intelligence Development

Observers noted the seeming data breach could boost artificial intelligence firms looking for material to train their models.

A group known as Anna’s Archive reported it had obtained 86 million audio tracks from Spotify and 256 million entries of associated data such as artist and record names. Spotify, which hosts more than 100 million tracks, stated that the breach did not constitute its entire inventory.

“We have identified and disabled the malicious user accounts that were involved in unlawful scraping,” said a company spokesperson.

The Stockholm-based company, which has more than 700 million subscribers worldwide, further explained that an investigation into unauthorized access identified a third party collected public metadata and used illicit tactics to bypass DRM [digital rights management].

Archive's Declared Goal and Concerns

Spotify does not think the music taken by Anna’s Archive has been released yet. Anna’s Archive, which is known for providing links to pirated books, wrote in a blog it wanted to create a ‘historical repository’ for music.

They claimed the audio files represented 99.6% of all music streamed to by Spotify users and would be distributed via ‘peer-to-peer networks’, a means of exchanging large data files online.

“Naturally the service doesn’t have all the music in the world, but it’s a fantastic beginning,” said Anna’s Archive, which frames its purpose as “preserving humanity’s knowledge and culture”.

AI Training and Copyright Battleground

A composer and campaigner for protecting artists’ copyright, said the breached music would likely be utilized for training AI models.

“Educating models on illegally sourced data is unfortunately widespread in the AI industry, so this accessed music is highly likely to end up instructing AI models,” he stated.

The group's website alludes to a large online archive, a vast online repository of copyrighted books that has reportedly been leveraged by the parent company of Facebook to train its AI models.

A founder of an artificial intelligence company posted on the professional network that individuals of the public could in theory “create their own personal free equivalent of the service”. He added it could also enable tech companies to “educate models on contemporary music at a large volume”.

Copyright has emerged as a battleground between artists, authors and content creators on one side and tech giants on the other.

Government Considerations and Reactions

In the UK, creative professionals have protested against a government proposal to allow AI companies use copyright-protected work without permission unless the rights holder opts out. Virtually every participant to a government consultation on the proposal has supported artists’ concerns.

A government minister for science, research and technology told parliament this month there was “little consensus” on the issue, adding that ministers would “take the time to get this right”. The administration has pledged to make policy proposals on AI and copyright by next year.

The writer

Connie Walker

A seasoned journalist with over a decade of experience covering UK politics and social issues, passionate about uncovering stories that matter.

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